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Does that hurt the fish? (2025)
DESCRIPTION:
2020-2025, Video/Video Performance, 11 minutes.
This project is centered around a mundane exchange between a regular client and erotic worker at an aquarium during an impending pandemic, but just before businesses are officially closed, aiming to capture the complexities of specific kinds of affective labor, under the landscapes of US capitalism and healthcare. It highlights the enduring sexual micro-economies that defied the dire, apocalyptic warnings of the pandemic. The narrative thinks through the absurdity of the strip club during the pandemic - many operated and remained open despite the government shutdown and remained secretly open, including my own place of work.
R-SHARK WOKE UP! (2024)
DESCRIPTION:
3D-Animated Video, 1 minute 40 seconds.
My animated work is set in what I like to call a “Money-Driven Fishtank Simulator”, and each one visually, somatically, and narratively investigates different components of affective labor through both my own experiences and my community’s experiences with the work. R-SHARK is a recursive fable about a shark who has never seen his wife without first stopping at the bank.
20,000 TOKENS (2026)
Money-Driven FishTank Game Trailer (2022-2026)
WALMART RETURNS (2025)
DESCRIPTION:
This video/video performance follows a dancer named Carp who is ethically and spatially overwhelmed by receiving thousands of Walmart Returns packages to her small apartment. This Walmart situation did happen to me; I still have hundreds of Walmart reseller knockoff goods even after donating them and installing them as free-to-take objects. Gestures of care and acts of donation serves as a method to subvert sex work stereotypes and provides an avenue to address the moralizing that happens around sex work and the societal legitimacy of it as an ontological concern.
[Filmed in 2022, re-edited using archival footage from Opulence in 2025]
BINARY TAXI (2025)
MORALLY NEGATIVE (2025)
Unless the Outcome is Income: Roblox (2025)
Little Darlings, sick (2024-ongoing)
Unless the Outcome is Income: Animation (2025)
SW-er-NPC-Fable (2022)
DESCRIPTION:
SWer-NPC-Fable (3 mins 58 seconds) is a blurry video/video performance filmed between my workplace and home that is a renegotiation of selfhood and personhood and the idiomatic phrases “becoming your work” and “taking your work home with you.
The dancer in lingerie is me aged 21; in exchange for filming that video that plays there nightly, I got to work for free.
Welcome Home (2022)
DESCRIPTION:
My animated work is set in what I like to call a “Money-Driven Fishtank Simulator”, and each one visually, somatically, and narratively investigates different components of affective labor through both my own experiences and my community’s experiences with the work.
Push for Help Episode 1: The Worship of Kitty (2021)
DESCRIPTION:
My animated work is set in what I like to call a “Money-Driven Fishtank Simulator”, and each one visually, somatically, and narratively investigates different components of affective labor through both my own experiences and my community’s experiences with the work.
Financial Accessibility to Calm Our Apocalyptic Anxieties (2020)
A Transactional Fable in a Money-Driven FishTank (2021)
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˚｡˚｡˚｡˚｡˚｡˚˚｡˚｡｡˚｡˚｡˚｡˚｡𓆝 𓆟 𓆞 OLDER VIDEOS𓆝 𓆟 𓆞｡˚˚｡˚｡˚｡˚｡˚˚｡˚｡｡˚｡˚｡˚｡˚｡˚｡˚｡˚
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